Tex Rubinowitz about Andreas Dorau and his Vienna Album

by Andrea
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Andreas Dorau has always been there. He turned 60 last year, one of these more bungers decades, nasty because resignative calming songs of the Beatles (64) and Udo Jürgens (66) are associated with them. Hardly understandable for the uninitiated, but soothing and always surprising for the Auskenner, the presence and persistence of Doraus, which made it a kind of household object over a few decades, an unnoticed, although his name evoked, a Dorau, the next step would be an adjective like Kafkaesk and Lynchesk. In an interview, the similar Solitarian musician Mark E. Smith, who was always “hardly” perceptible to all value -adding perception radars of this world, said until his death in 2017, how he was assessed at the beginning of his so -called career: “It looks like twelve, but it goes to the 60,” Smith stated: “I did not really feel that it would have been possible for a long time. I think my voice broke when I was 26. ” Therefore, he probably wore lyclems and uncley sweaters to the end to distract them.



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