Why the Kremlin was happy about the Oscars for “Anora”

by Andrea
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The 97th awarding of the Oscars was a disappointment from a political point of view. The mostly democratic Hollywood created the muzzle after not with statements and politically inspired awards in the past five years – for example for the Korean class satire Parasite Or the Asian-American-immigrant fantasy explosion Everything Everywhere All at Once – held behind the fence. But now the most politically explosive candidate, the trans musical Emilia Pérez, dismantled by counter-campaigns, and the really successful Trump exegesis The Apprentice was ignored in the actor categories.



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