It wasn’t exactly a bolus: it was a party. A celebration of life. And a demonstration of artistic progression. One more. Because it seems that years have passed since the concert that offered at the Palau de Les Arts, but it has only been thirteen months: then we did not know that only three days had passed since it was diagnosed with breast cancer. He was about to postpone it. Retrieved – he told him last night – after a complicated 2024, he now redoubles his deployment on stage. An auditorium of the Rambleta practically full welcomed with fervor the expressive torrent of an artist who at times looks like Kate Bush, Fka Twigs, Concha Piquer and Sevdalizes at the same time, and that already has all the eggs (forgiveness) in the same basket because Marala (the trio that formed next to the Mallorcan Clara Fiat and the Catalan Selma Selma Bruna) are already history. Pedreguer is expected to follow everything in his personal project. And open grave. There were nerves (logical) and some discontinuity last night (less when there are also collaborations), moments of magic (That she herself from herself) that one would have wanted to enjoy more sustained over time (I occur to me Fantasy, Asulous, PASODOBLE MARIA o The seduction), but also moments of an overwhelming eloquence: Sandra composes, sings and dance with the poise and ease of capital artists, it is so good performer as entertainer Because he has an image, he has speech, he has charisma and (especially) some songs that combine identity mood and hedonistic inclination without any respect for stylistic borders, although by the roots of musical languages whose best tribute is not to let them be annoyed.
Last night we saw Sandra Coplera, the electronic pope, the folk, the moruna, to the ravera And even the reggaetonera, because a version of the Yonaguni Bad Bunny that I believe convinced even those who throw their hair every time they hear about the Caribbean genre. That some was last night too. Let’s see who is able to do that in the same bolus in which you approach the Bizarre Love Triangle of New Order in acoustic, without the thing scrubbing. What will present The night mona – His recent EP, the night reverse of his splendid second album, The Monaof 2023 – it was nothing more than an excuse, because it gave free rein of a repertoire renovated in the company of his sister Amanda the keyboard and violin, Jordi Ortolà to the percussion and Xavi Pitarch (Blu Boi) to the programming and visuals. With the maximum of respect for Xavi Sarrià, Zetak, Raisha Cosima, Fifth, Esther and Llum, cast of special guests of the night who at some point justified focus, even their appearances seemed to me accessories for the communicative flow of Sandra, who also tinked us, inviting us to join our hands to the rhythm of Filà Mora, to something that should be so basic – It is not as frequent – such as taking care of our own language, our public media and demanding respect to those who, clinging to their poltrona, have only shown contempt for those who have lost everything and have taken us as auctionally idiots to the rest. It is not asking much. Or yes, as you look.
