Itamar Vieira Junior, author of “Torto Arado”, will participate in a live on the 15th, a Tuesday, at 19:30. At the event, he will ask questions linked to his course “Creative Writing” ,.
Live will be transmitted on the site. The same address hosts several exclusive courses from different personalities, such as the filmmaker, the former minister and, from April 29, who runs the restaurant Maní.
To access streaming and participate in the live session with Vieira Junior, you need to be a subscriber of Casafolha.
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Casafolha members can watch all the streaming content ,. There are already 19 courses available, and new classes are launched every month. The next premiere will be on April 10: Aline Wolff, psychologist of the Olympic medalist Rebeca Andrade, teaches “mental preparation and the balance of emotions.”
At Live with Itamar Vieira Junior, he will answer questions sent in advance through a form that CasaFolha subscribers will receive in the email registered on the platform. In addition, it will also be possible to participate through a chat during the event.
The idea is to deepen some topics that the writer has already addressed in his course and explore other aspects related to his career.
With over 1 million copies sold, Vieira Junior is the largest phenomenon of national literature in recent years. His books have been translated into over 25 countries and won several awards, such as Oceans, Leya and the Brazilian Oscar Species of writing.
“Crooked plow”, although recent, can already be considered a classic, and “save the fire”, then released, expands the universe in which so many readers plunged.
Throughout 12 classes at Casafolha, Vieira Junior uses her own trajectory to address all the steps of the production of a literary work. In the first lesson, for example, he talks about how to become a writer.
He discusses topics such as the importance of the writer to have a writing routine, the role of the literary agent and the ways to publish a work. He cites as examples, besides “crooked plow”, his two previous works, “days” and “the prayer of the executioner”.
Then the writer explores his own creative process. He tells how many of his ideas come from the observation of the world and states that for them to develop, he also needs memory and imagination.
In your case, however, nothing is more important than the characters, because it is around them that the stories unfold. The author reveals that “crooked plow” and “save fire” were born from the central figures of these narratives and explains how it chooses their respective names.
In another class, Vieira Junior says writers often plan the text, but he also suggests that room for intuition is given, as the course of the characters can escape the expected. It also features techniques to hook the reader from the first page and discusses what to do in case of creative blockade.
He notes, however, that there is no magic formula. “What makes a book well welcomed or not by the reading audience? This is a mystery, we never know what will happen to each book and we have to be prepared for it,” he says. “The important thing is that we have security about our vocation, it doesn’t matter if you read by one, two, by 20, 1 million readers.”
Its course is part of Casafolha’s “Communication and Creativity” journey, which already has other established names: filmmaker José Padilha, director of “Elite Squad”, while Giovanni Beigossi and Micarla Lins, oratory champions and competitive debate ,.
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