The excitement is limited. A few days ago, the US rock band Deerhoof announced its withdrawal from the Spotify streaming service. The formation around singer Satomi Matsuzaki has brought it to some reputation in circles in the past three decades, which earlier, long before which the musicians ultimately drastically reducing digital culture, was called “underground scene”. Compared to today’s shameless celebration of maximizing profits in the mainstream pop, these influential and latest niches have always placed in the charts since Nirvana. Where Deerhoof comes from, it is completely incomprehensible and unacceptable that nowadays even various punk bands like that sing against the “system” in advertising clips for products for international mixed companies.
