Exhausting behave in an educated way in. In the Forum all the staff looked t -shirts in which he said “thanks for doing it again”, and the desire to respond “of nothing” evaporated to verify that there would be no end of thanks. Celebration atmosphere at the enclosure, before there were five editions in Mataró but although the word Cruïlla was shared it was another initiative. Bandelas with the image of one of the most popular artists who have passed through the festival waved in the air and a jovial atmosphere that the adolescents and preteen expanded that already crowded early in the early stage in front of the stage where hours later, five thirty exactly,. And he wanted the chance that the corporate color of the festival, the yellow, coincided with which the fans looked in ties and accessories to show their adherence to their favorite singer. It would be in charge of closing the day in which the organization hoped to summon some 20,000 people.
The sky was less colorful in early hours, gray with white strands and a wind that moved clouds in variable configuration. On earth, fans only needed Gracie to touch that sky. But the scenario was opened by Gavina MP3, which however applauded delivered. Jordi Herreruela, director of the festival that was witnessing the first concert of the day explained it “We have set up a system to have a number that guaranteed them place near stage without having to be here from the morning, and incidentally we have done some pedagogy to value the artists who act before Gracie”. And it worked, because Gavina sang BULLEY And they applauded, just like Angelespecially when Xicu left the stage as a guest, and made the windshield wiper in The night was red And they celebrated that Gavina premiered training with 2 guitars, bass, drums and keyboards away from their most digital models. The electronic pop of urban complaints and Gavina’s autotuned voice could not find better reception, to the point than after the last theme, Sota the CelGracie’s fans even chanted their name as asking for a bis. .
The rest of the afternoon passed in the same way, with the fans waiting while in other scenarios Maria Hein acted, whose elegant and leisurely proposal had much less public than the conventional cutting pop-rock of Madrid’s Samuraï, who alternated briose pieces, as the initial Burned heart o Lighterword that does not sound like a song, with ballads that invited to walk around the enclosure, with their graffiti artists starting their drawings, a Marching Band que and the collection of used vessels that returned the two euros for them paid without supporting deterrent tails that invite them to keep them as almost forced souvenir. Like Girl in Red acted on the same scenario as Gracie, had the same empathic behavior of the public as Gavina MP3.
It is true that a group of fans continued playing cards, neither poker nor the mus, but with very colorful decks that denoted tender naivety, but from the stage they did not see. The festival logo, a kind of smiley but with the eyes in the form of cross strips, smiled from the corners and banners, although it was a matter that Gracie, to all this daughter of the producer and screenwriter JJ Abrams, began her performance with Risk so that the smiles already shine in front of the stage. Paradise was on earth and would shape for 15 themes until Close To You I became happy memory after hour and ten minutes of acting. The Cruïlla began in a pop and effervescent adolescence. The public is the soul of concerts.
