The oratorio, with which the Salzburg OUVERTURE began spiritual, deals with the arrogant dying on the high seas; Even the sound and plaintiff is divided between the living and the dead. Hans Werner Henzes Floss the Medusa Gradually switches the living that are delivered to their demise, little by the right to the left side of the stage. To where the strings are also located. The few survivors are reserved for the right side on which the wood and brass players accompany the drama.