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Since the present opened with Trump II, the theater has often been concerned with parallels to the 1930s. About the emergence of dictatorial ideologies and a new radical nationalism. It was also astonishing how much Jura Soyfer (1912–1939) already knew about us today: about the skepticism of science, faded ideologies of faith, the forgetfulness of history, the blindly capitalization. Many reasons to start a new theater era in Vienna with the 26-year-old in the Buchenwald concentration camp.
