Bond, could have quiet breakfast strawberries with champagne charged to the MI6, as a British Majesty server; However, Vicente Alfaro, aka Michelin Among his colleagues for his love of cooking, A few churros usually attell. It is a Spanish spy. But a Spanish trustee spy. One of ours. It takes a lifetime in him and is tired. It has so many visible contractions that give an approximate idea also of those that are not seen. To the point that if by magic you could recommend through the screen to your physio or your osteopath, you would. At any time you intuit that can be broken. But you also know that it will continue to drag the bones and whatever it takes until, like a quijote ravish of pinching, it undoing all the inks.
Alfaro is interpreted in the series The center (Original and produced by). He is head of Russian counterintelligence. The actor gives him a twilight air. An exhaustion without verbalizing that transmits masterfully and with that efficient austerity that only the greats get. His is much more than tiredness, he drags a quiet despair to which he prevents his sense of duty.
Botto heads a choral cast in which Israel Elejalde, Clara Segura, David Lorente, Nacho Sánchez, Elisabet Casanovas, Elsa Díaz or Tristán Ulloa also stand out … “It was important tupper Every day, he prepares crosss for his classmates, he has motivations to walk at home, problems with his wife for being forced to maintain an extreme confidentiality that produces stress problems, ”says Juan Diego Botto.
David Moreno, creator of the series, David Ulloa, its director, and Botto or the rest of the actors needed to know in depth the life forms of the collective. How they related to each other and their habits or hobbies inside, in their homes. They had access to some real model with whom they were able to talk thoroughly. Open talks, but, logically, with its limits: “We could not treat techniques, logistics, yes some working methods,” says Moreno. A fundamental advice to build the script. “They opened the doors of the center, let us in. Sometimes they answered our questions, not others,” says Botto. But what they contributed were enough for everyone to achieve a different result.
Just the one who saw in the scripts of Fonte Films, former CEO of Inditex and producer of The center. “They were very good, if we joined them a good direction that created that real atmosphere and a coral distribution of height like the one that has been achieved, we had no doubt of the result. In Fonte Films we are aware of the number of stories that occur in the present, an authentic avalanche. That is why we do not want to enter more than what is convenient for us for its own quality,” says the producer.
Since the series were proposed until its premiere – next October 9 – the geopolitical board has been radically transformed. But there is something that has not changed or change in the short and medium term, at least. Russian global interference in the conflicts they tell. For any plot, they are still decades after any screenwriter can occur. “For the viewer there has also been an assumed, very credible mental framework,” says Botto. “There was no need to invent anything fantasy, there is nothing more to read the news to get an idea,” says Moreno.
In the plot there are moles, counter -espionage, threats in the high spheres of power and the company, systematic infiltrations, misinformation … Almost everything that forms and destroys today’s world, the elements that move the solidity and certainties of democracies and fundamental rights in a systematic siege of authoritarian currents with profiled plans and strategies. “Today we have bad to bore. Since we started the series until today, the level of barbarity has been increasing. We have entered a world without norms, where the president of the United States arrives at the UN wanting to destroy the institution and does not hide it in its headquarters. The basic consensus have exploited by the air,” says the interpreter.
Who is behind? “I wish we never discover it, but it is a perverse plan. What is clear is that they try to impose the law of the strongest. You cannot discuss the value of human rights to those who do not have an apex of morals.”
It remains to trust types such as Michelin. A hero of withdrawal and exhausted, aware of his roof and his capacity for action, but completely reliable. Trapped in a hermetic world, too. “They cannot tell their closer people or their families to what they do until they have a very high degree of confidence with their partners, for example. They relate to each other, so betrayal is the worst that can be given between them,” says Juan Diego.
Everything is reflected in the extraordinary series, crossed as a gloom and endowed with a systematic realism: “We wanted to make a espionage intrigue, but go somewhat further. Avoid the film tone to be as rigorous as possible with a way of life,” says Moreno. To do this, they were allowed to document and access the guts, as they commented, something that also puts Pablo Isla: “gives the history of a likelihood that the viewer will perceive,” says the producer. “Although we did not enter into procedures, if we could understand mechanisms, organization charts, certain labor logics that would transfer the viewer how intelligence services in Spain work,” adds the creator of The center.
They wanted to portray the uniqueness of Spanish agents in themselves, not how it has been done laterally in other fictions often, but to place them in the middle of the central vertex of the entire development, explains David Moreno. “For that we needed very good human material because a series like this enters through the genre, very attractive, that of the spies, but you stay to see it until the end if the characters convince you.”
