In the 13th edition of those awarded this Saturday night in Pontevedra by the specialized press association, it won five trophies, those for best film, direction, script, leading actress, which has already accumulated four fierce) and supporting actress highlighting her role as favorite for the Goya Awards on February 28. Ruiz de Azúa celebrated this panoply of awards, calling it a “secular miracle.” And she read a text by Leila Guerriero about the film: “No one listens to anyone, no one understands anyone. That is the heart of the damage. That is the time in which we live.”
won a very fair award for best protagonist in a series for his multifaceted Joserra in Jakarta, an approach to the pain hidden by many people who also won best script. At that moment, he remembered with sparkle how the obfuscation of a gym teacher convinced him that the creature was his. When he finally picked up the award for best drama series, San José summarized his work as “the story of a father looking for a daughter, and a daughter looking for a father.”
In the comedy series, it won the second season, which also saw Esperanza Pedreño, as best leading actress, and best supporting actress, take home the awards in their categories.
In film, Jose Ramon Soroiz and Kandido Uranga won best lead actor and best supporting actor, respectively. Sirât It took home the trophies for best music and best trailer. won the Feroz for best comedy film. Finally, the Arrebato award for best work of fiction was won by the impetuous film that Guillermo Galoe has filmed in the Cañada Real and with the inhabitants of the Cañada Real, promoting and freeing their gaze.
On television, he closed the record as best secondary for his Leonardo Dantés in Superstar.
with his speech when collecting his Arrebato Non-Fiction award for Lonely afternoons, praising how his documentary avoids any established path and computerized schemes; the Feroz de Honor when remembering his artistic future; the vindication of the actresses María Castro and Marta Costa, of The promise, of daily series on open television; the screenwriter asking that we not forget who writes series and movies: human beings, and not machines or digital platforms. Sola had the pleasure of presenting Ruiz de Azúa with the award for best script: both are co-writing a series on OnlyFans.
The gala left a bittersweet taste: it brought together a lot of audiovisual stars who arrived in Galicia despite the storm Ingrid, and knew how to measure and highlight various demands. In return, there were numerous and delirious ambient sound problems (the presenters could be heard at the entrances and exits of the stage) and a strange television production that did not usually choose the appropriate shots. It also had a script with a fang that not even some presenters knew how to defend, nor did some of those mentioned accept.
