How to customize carnival abadá using just scissors and ties without having to sew

Practical techniques to transform baggy t-shirts into stylish pieces using strategic cuts and simple knots

RODNEY COSTA/ZIMEL PRESS/ESTADÃO CONTÚDO
This guide brings together the most effective instant “upcycling” methods

The customization of abadás is an essential tradition in Brazilian carnival, allowing the standardization of boxes and blocks to give way to individual expression and personal style.

For many revelers, the challenge lies in the lack of sewing skills or time to take the piece to a studio. Fortunately, it is possible to obtain professional and creative results by learning how to customize carnival abadá using just scissors and ties without having to sew.

This guide brings together the most effective methods of instant “upcycling”, focusing on cutting safety and the durability of the moorings to withstand the festivities.

Materials needed for customization

Before starting any cut, preparing the environment and materials is essential to avoid irreparable errors in the piece. As there will be no stitching to correct flaws, precision is the priority.

  • Fabric scissors: The most important item. Sharp scissors ensure continuous cutting, preventing the fabric from “chewing” or fraying excessively.
  • Tailor’s chalk or dry soap: Essential for marking where the cuts will be made before using scissors.
  • Tape measure: To ensure symmetry, especially in necklines and armholes.
  • Silicone elastics or satin ribbons: They help in fixing some ties, although the abadá fabric itself can be used.

Practical step-by-step models

Listed below are three popular styles that transform unisex shapes (generally large and boxy) into feminine, fitted pieces, using the cutting and tying technique.

Cropped with front tie

This is the most classic and simple model, ideal for those looking to adjust the waist and create a more flattering neckline.

  1. Put on the abadá and mark the desired height for the length (usually at the navel or waist line).
  2. Remove the t-shirt and cut the back at the marked height, in a straight line.
  3. On the front, make a vertical cut right in the center, going from the original bar to the height you marked for the back.
  4. From this central cut, cut diagonally towards the sides, creating two long points at the front.
  5. Put it on again and use the two front ends to tie a tight knot or bow at the bust or waist.

Halter with braided back

Ideal for intensely hot days, this model eliminates the sleeves and creates a more sophisticated look on the back.

  1. Cut the sleeves following the armhole seam or digging in a little further, if desired.
  2. Cut the collar off, preserving the fabric if you want to use it as straps, or discard.
  3. On the back, make a straight horizontal cut just below the armpits, removing the entire upper back (keeping only the front part connected to the neck, if the model allows, or creating straps).
  4. To create the halter, cut the fabric into an inverted triangle shape across the chest, leaving long strips at the top to tie around the neck.
  5. Make small holes on the sides of the abadá and use strips of leftover fabric (from the sleeves or hem) to braid the back, adjusting the width of the piece to the body.

Off-the-shoulder model with fringes

An option that offers movement and boho style, very common at festivals and street blocks.

  1. Cut the top of the collar in a straight or slightly curved line from shoulder to shoulder, removing the collar and tops of the sleeves.
  2. At the hem of the t-shirt, define the height where the fringes will start.
  3. Make vertical cuts in the bar, about 1 to 2 centimeters wide each, up to the marked height.
  4. To finish, lightly pull each strip of fringe; the knitted fabric tends to roll up on its own, creating a “roller” look and hiding the rough cut.
  5. You can knot the ends of the fringes or weave them together in simple macramé for extra detail.

Finishing and safety tips

Working seamlessly requires attention to the behavior of the fabric. The synthetic mesh (polyester), common in abadás, does not fray easily, which is an advantage. However, it can slip.

  • Stretch the fabric: After making any cuts on the mesh, stretch the cut edge with your hands. This will cause the fabric to curl inwards, creating a cleaner finish that hides imperfections from the scissors.
  • Double nodes: In all ties that support the piece on the body (such as neck straps), make double or blind knots to ensure that they do not come loose during movement.
  • Symmetry: When cutting necklines or armholes, fold the shirt in half vertically (joining armpit to armpit) to cut both sides simultaneously and ensure they are even.

Visual composition

Customization with scissors and tying creates the base of the look, but accessories are responsible for elevating the production. As the finish is rustic (cut by thread), the use of accessories helps to divert attention from the edges and focus on the design of the piece.

The use of “body chains” under or over the abadá, rhinestone shoulder pads glued with fabric glue or sequins applied to the edges of the cuts are ways to sophisticate the customization without the need for a needle and thread. The combination with high-waisted denim shorts or sequin skirts balances the casual look of the ties.

The art of personalizing the abadá goes beyond aesthetics; it’s about comfort and identity. By mastering simple cuts and strategic ties, the reveler guarantees a unique, fresh and safe piece, keeping the Carnival tradition alive through manual creativity.

source

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