()’s campaign echoes the old proverb that uses the figure of the “beautiful viola” to talk about the contrast between external images and internal realities.
Nas, the senator does well. Appears vigorous, with winning features. At home, the atmosphere is completely disheveled. The brothers fight with their comrades in the ideological camp —still far from the status of allies—, maintaining a distance that is beyond critical and some of the coreligionists still prefer the condition of unengaged spectators.
The evangelical nation has placed itself on standby and competitors on the right are rehearsing their first criticisms, signaling more interest in competing for a place in the second round than in acting as auxiliary lines.
To complicate matters, the would-be candidate struggles between the radical essence that gives loyalty to the tribe of origin and the need to show himself as a moderate from remote ancestors.
The son’s son is harassed. On the one hand, due to the family’s fear that it will lose ground to other right-wing opponents; and, on the other, due to requirements that he present substantive credentials for the exercise of the Presidency of the Republic.
Difficult, because at the beginning, Flávio Bolsonaro was just looking for a negotiation around amnesty for the former president. Now he wants to assert what is said by what is not said, but he encounters obstacles in real life. He himself knows little about his agenda in the economy.
Things that aren’t real can end up being fake. The scenario of internal fights raises the following question: once Flávio Bolsonaro is placed in the Palace, who would command the Planalto? The foolish brothers, the prisoner father as a hidden advisor or the one chosen by chance?
The pertinence of uncertainty authorizes the projection of the risk of Brazil electing a president of a government in which everyone screams, no one understands each other and the country capsizes like a ship adrift.
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